 Member ◆◆ Posts: 96 Joined: Mar 1997 From: Fort Hood, TX |
#1▸ Posted: 12 Aug 1998, 09:12 CST
I'm trying to track down the best quality reproductions of the Trent photographs from McMinnville, Oregon -- the ones from 1950 where Paul Trent shot those images of the disc over his farm. I've seen a few different versions in old UFO books and they vary in quality, and I'm not sure which are closest to the originals. Does anyone know where the best versions are archived? Also curious what the current consensus is among the serious researchers -- are these still considered one of the more credible photo cases, or have they been pretty thoroughly debunked?
|
 Super Moderator ◆◆◆◆◆ Posts: 22,910 Joined: Jun 1998 From: Bristol, UK |
#2▸ Posted: 13 Aug 1998, 18:56 CST
The Trent photos are absolutely worth having clean copies of. Paul and Evelyn Trent photographed that object over their farm on May 11, 1950, and the images ran in Life magazine not long after -- that publication history alone gives them real weight. What's remarkable is that these photographs have survived over forty years of intense scrutiny. They weren't retracted, and the Trents themselves held to their story for the rest of their lives. The original negatives went through the wire services and then to other archives. If you want the clearest versions, you want the ones that came from Life's original publication or from MUFON's files. The detail is genuinely striking -- you can see the landscape, the overcast, the farm structures all in context.
|
 Field Researcher ◆◆◆◆ Posts: 8,044 Joined: Aug 1999 From: Ohio, US |
#3▸ Posted: 15 Aug 1998, 04:41 CST
What makes McMinnville so interesting is that the analyses cut in multiple directions and the honest researchers have never fully agreed. The shadow analysis is one of the key debates -- look at the shadows on the object versus the shadows on the farm structures and you start asking questions about light direction. Then there's scale: is this a small object held close to the camera, or something large and distant?
The wire-under-the-eave hypothesis came up years ago -- the idea that it's a model suspended on a string from the overhead wires. Some point to it as the likely answer, others say the photo geometry doesn't support it. The thing is, both the small-model reading and the large-distant reading have logical problems when you really dig in.
|
 Resident Skeptic ◆◆◆◆◆ Posts: 16,720 Joined: Apr 1998 From: Chicago, US |
#4▸ Posted: 16 Aug 1998, 14:25 CST
The model hypothesis is the one that would be easiest to falsify if we had the right data. If someone demonstrated that a model of the right size and material, lit and shot under the exact conditions of that afternoon, produces noticeably different shadows or brightness than what we see, the model explanation loses ground. But we don't have those controlled tests with full certainty.
The brightness argument gets thrown around by both sides -- skeptics say the uniform brightness suggests a flat model, believers say it's consistent with a metallic craft under overcast. Both readings have some logic. It's not a clean answer either way, which is exactly why the case has lasted.
|
 Member ◆◆◆ Posts: 380 Joined: May 2000 From: Lincolnshire, UK |
#5▸ Posted: 18 Aug 1998, 00:10 CST
Here's what nobody can get around: these are photographs. That's all we have. No instrument readings, no radar, no corroborating witnesses with equipment, no physical evidence. A photograph documents what the camera saw, but it can't tell you the distance, the size, the composition, or the nature of the object. You're always working backward from the image. That puts a ceiling on what any analysis can conclude. You can make some scenarios less likely than others, but you can't get definitive proof from the image alone.
|
 Member ◆◆◆ Posts: 167 Joined: Jan 1996 From: Tucson, AZ |
#6▸ Posted: 19 Aug 1998, 09:54 CST
Let me put the lighting question in simpler terms. The object has a fairly uniform brightness on its visible surface. Some read that as typical for a reflective metallic disc. Others read it as exactly what you'd expect from a flat model, matte or semi-gloss, under overcast. The Trents said it was an overcast afternoon. If the light is diffuse, coming from no single direction, then both a large distant object and a small near model would show similar lighting. That's why the shadow analysis on the trees and buildings matters -- you work out where the light comes from, then ask whether the object's appearance is consistent. But the photos just aren't crisp enough that honest people have to agree.
|
Anonymous Coward  (unregistered) User ID: 24800478 From: a VPN, probably |
#7▸ Posted: 20 Aug 1998, 19:39 CST
the Trents were simple farmers. no book deal, no money, never changed their story. ordinary people dont fake something for FORTY YEARS and gain nothing. that alone tells you the photos are real.
|
 Administrator ◆◆◆◆◆◆ Posts: 18,204 Joined: Mar 1998 From: Colorado, US |
#8▸ Posted: 22 Aug 1998, 05:24 CST
I've spent years on UFO photo cases, and most have explanations -- balloons, hoaxes, identified aircraft, natural phenomena. The Trent photographs are one of the few I won't call debunked. I can't prove they show a genuine unknown, and I can't prove they show a model on a wire. The photographs are real, the Trents' account was consistent, and the serious analyses have been thorough but inconclusive. That's where I'd like to see more work -- not more claims of proof either way, but more careful study of what the physical evidence can and cannot tell us. The case sits in that uncomfortable middle where the honest answer is "unresolved."
|